![]() Undercurrent is about water and reflection. Akeda is the story of Abraham up on the mountain. I had gone through the transition of moving from my house in the hills to my house on the Hudson River. ![]() Undercurrent, though – I did not have the title for a long time – represents this stage of my life. I knew that it was the perfect title for that stage of my life. The title Akeda came first before the music, and before that album was made. Sometimes the title comes first, before the music. The names for my records come to me in different ways. Do you remember what led you to that title ? It’s fresh and new, yet connected to the live albums you’ve done and the spirit of real musicians performing together. The new album, Undercurrent, is wonderful. We caught up with him for a few moments during a recent trip to L.A., where he and the band performed a set to help kick off Undercurrent at Amoeba Records in Hollywood, before heading up north to perform at the San Francisco Amoeba, and destinations beyond. Yet unlike so many studio concoctions that seem divorced from real life and genuine music, Undercurrent glows with the musical freedom, lyrical wisdom, vigor and positivity of Matisyahu’s live shows. Epic, spiritual, inspirational and even ecstatic at moments, it’s powerfully affirmative, containing the deep and genuinely expressed wisdom of the ages. This fusion of a live band performing and jamming with in-studio recording lends this collection the shining and improvisational energy of a concert. An organically conceived album, it grew from the seeds of jams during some 200 nights a year of touring, which Matis and the band developed into eight incredible songs. It’s the first one he produced himself, with his remarkable touring band: Big Yuki on keyboards, Stu Brooks on bass, Aaron Dugan on guitar and Joe Tomino on drums. Matisyahu has just released his 15th album, Undercurrent. ![]()
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